DEDALUS - Nº 2 - 1992

Abertura

FACTO E FICÇÃO NA LITERATURA E NA TEORIA LITERÁRIA

Introduction


SECTION I

Earl Miner, The Fiction of Fact, the Fact of Fiction
Mario J. Valdés, Crossing the Boundary between Fact and Fiction in History and Literature
Eva Kushner, History and the Power of Metaphor
E. S. Shaffer, Significant Fictions in Recent Literary Theory
W. van Peer, Intentional Fact/Fictions: Research vs. Opinion


SECTION II

Douwe Fokkema, Empirica Questions about Symbolic Worlds: A Reflection on Potential Interpretations of José Cardoso Pires, "Ballad of Dogs' Beach" (1982)
Ziva Ben-Porat, Fact, Fiction, and Readers' Responses
Elrud Ibsch, Fact and Fiction in Literature and in Literary Theory
Maria Alzira Seixo, Le Fait de la Fiction en Littérature - Ricardo Reis et Pessoa chez Saramago


SECTION III

Branca Lizardo, Richard II, de Shakespeare: Image d'un Roi
Maria Luisa Leal, Le Fait et la Fiction dans un Récit Baroque de l'Histoire de la Découverte de Madère
Maria de Fátima Valverde, Réalité et Contre-Réalité: les "Tableaux Parisiens" de Charles Baudelaire
Christine Zurbach, Fait et Fiction. Figures de la Dénégation dans la Trilogie de "L'École des Femmes" de Molière
Carlos Reis, Fait Historique et Référence Fictionnelle: Le Roman Historique
Kelly Basílio, Fait et Fiction chez Zola
Philippe Chardin, Robert Musil entre les Faits el les Fictions ou "la Science Souri dans sa Barbe"
Ana Margarida Falcão, Fait et Fiction: "O Medo" ("La Peur") de Al Berto
Maria Irene Ramalho de Sousa Santos, History, the Tramp, and the Trap of Fiction
Margarida Losa, "The Molher Unknown Syndrome": Further Considerations about the Origins of Fiction and Family Romance
Maria Elena de Valdés, Fact into Fiction and Fiction into Fact: Testimonial Literature as a Hybrid Genre


ESTUDOS

Manuel Frias Martins, Para a Não Definição da Literatura. As Razões da Teoria Literária
Luís de Oliveira e Silva, O Labirinto da Imitação
Miguel Tamen, Verdade por Correspondências
Isabel Allegro de Magalhães, Camilo sob o Olhar de Agustina: entre a História e a Ficção?